CINEMA ROBOT

The high speed Kira robot by Motorized Precision is incredibly smooth and precise opening a world of possibilities

Kira

Kira's efficient size and sleek design are what allow her to shoot with such steadiness and speed. Vertical and horizontal capture occurs at 3 meters per second and on her track at 5.5 meters per second. Both Kira and her track can be moved to where you want them or used in our studio.

Intuitive and nimble, this camera robot’s movements are amazingly fluid. Thanks to extreme speed, power and zoom capabilities, Kira captures precise shots at any angle.

Our camera robot allows replicable and repeatable moves, along with programmable time-lapse for creative frame-by-frame magic, and fixed object tracking. It’s perfect for dynamic product image capture, complex stunt or action sequences, 3D tracking, target tracking, PreVIZ, and more.

Available on its 7 meter track or on its 4×4 mobile base, we have Kira ready to travel to your remote shoot or for use in our studio. Take advantage of her high speed precision moves for your next project.

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The Reviews Are In...

Peacemaker Filmworks made an impossible movie, possible. Their inventive solutions helped Deadpool stand out in too many ways to count. A bouquet of crisp high fives to the entire team for all their hard work.

-- Ryan Reynolds (Future Prime Minister of Canada)

I've used many different pieces of equipment from Peacemaker Filmworks, from the Motocam, the Subaru to the drones, etc. Everything is always spot on, the drivers, pilots, and operators are all “top of their game,” not just in Canada but anywhere in the world.

-- Darren Prescott, Action Director

“An incredible studio space with excellent amenities. They couldn't have been more helpful with any request we had. I will be going back as soon as possible and at any opportunity for jobs large or small.”

-- Robyn Farnham, Producer

It’s a joy to work with the Peacemaker crew as they execute cinematic shots quickly, getting the directors vision on the "Silver Screen". They also work incredibly well with the VFX team to help get the environment footage for full CG shots. Look forward to the next project where I can work with them.

-- Niel Impey, Visual Effects Supervisor